{"id":148,"date":"2019-09-30T19:45:15","date_gmt":"2019-09-30T19:45:15","guid":{"rendered":"https:\/\/doinarotaru.ro\/?page_id=148"},"modified":"2019-09-30T20:11:03","modified_gmt":"2019-09-30T20:11:03","slug":"works","status":"publish","type":"page","link":"https:\/\/doinarotaru.ro\/index.php\/works\/","title":{"rendered":"Selected Works"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”50px”][vc_column_text]<\/p>\n

Solo works<\/h2>\n

[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Jyotis<\/em><\/strong> (2017) \u2013 12\u2019<\/p>\n

for flute<\/p>\n

Commissioned by: Radio France, for the Alla Breve<\/em> Broadcast<\/p>\n

Written for: Mario Caroli<\/p>\n

Published by: Editura Muzical\u0103, Bucure\u015fti<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Epistrophe<\/em><\/strong> (2009) \u2013 8\u2019<\/p>\n

for flute<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Cantus austerus<\/em><\/strong> (2009) \u2013 8’30\u201d<\/p>\n

for alto flute<\/p>\n

Written for: Mario Caroli<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Geyzer<\/em><\/strong> (2008) \u2013 12′<\/p>\n

for percussion (1 player) and pre-recorded sounds<\/p>\n

Written for: Doru Roman<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Mithya <\/em><\/strong>(2007) \u2013 16\u2019<\/p>\n

I. comme une pri\u00e8re<\/em><\/strong> \u2013 6\u2019<\/p>\n

II. comme une \u201ccolinda\u201d <\/em><\/strong>\u2013 5\u201930\u201d<\/p>\n

III. comme une \u201cdo\u00efna\u201d <\/em><\/strong>\u2013 4\u201930\u201d<\/p>\n

for bass flute<\/p>\n

Written for: Mario Caroli<\/p>\n

Published by: Editura Muzical\u0103, Bucure\u015fti<\/p>\n

Mithya I<\/em> is published by BabelScores<\/p>\n

World premiere: Metz, July 2008, Acanthes Festival<\/p>\n

\u00a0<\/strong><\/p>\n

\n

 <\/p>\n

Japanese Garden<\/em><\/strong> (2006) \u2013 11\u2019<\/p>\n

for bass flute (doubl. piccolo) and pre-recorded sounds<\/p>\n

Written for: Ion Bogdan \u0218tef\u0103nescu<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Samaya<\/em><\/strong> (2005) \u2013 9\u2019<\/p>\n

for piano<\/p>\n

Written for: Satoko Inoue<\/p>\n

Published by: BabelScores<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Dragon Fly \/ Libellule <\/em><\/strong>(2000) \u2013 5\u201930\u201d<\/p>\n

for piccolo<\/p>\n

Written for: Ion Bogdan \u0218tef\u0103nescu<\/p>\n

Published by: BabelScores<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Tempio di fumo <\/em><\/strong>(1997) \u2013 10\u2019<\/p>\n

for flute<\/p>\n

Written for: Pierre-Yves Artaud<\/p>\n

Published by: \u00c9ditions Leduc, Paris<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Reina<\/em><\/strong> (1996) \u2013 10\u2019<\/p>\n

for soprano saxophone and electronics (live and pre-recorded)<\/p>\n

Written for: Daniel Kientzy and Reina Portuondo<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Legend II<\/em><\/strong> (1996) \u2013 9\u2019<\/p>\n

for oboe\/soprano saxophone<\/p>\n

Published by: \u00c9ditions Henry Lemoine<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Fum<\/em><\/strong> (1995) \u2013 7\u2019<\/p>\n

for clarinet<\/p>\n

Written for: Emil Vi\u015fenescu<\/p>\n

Published by: \u00c9ditions Leduc, Paris<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Dor <\/em><\/strong>(1989) \u2013 9\u2019<\/p>\n

for alto flute<\/p>\n

Written for: Pierre-Yves Artaud<\/p>\n

Published by: \u00c9ditions Leduc, Paris<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Metamorphosis<\/em><\/strong> (1987) \u2013 10\u2019<\/p>\n

for bass clarinet<\/p>\n

Written for: Emil Sein<\/p>\n

Published by: BabelScores<\/p>\n

\u00a0<\/strong><\/p>\n

\n

 <\/p>\n

L\u00e9gende<\/em><\/strong> (1984) \u2013 7\u2019<\/p>\n

for flute and resonator<\/p>\n

Published by: \u00c9ditions Leduc, Paris<\/p>\n

\u00a0<\/strong><\/p>\n

\n

 <\/p>\n

Sonatina<\/em><\/strong> (1981) \u2013 7\u2019<\/p>\n

for piano<\/p>\n

Children\/Beginner level<\/p>\n

Published by: Editura Muzical\u0103, Bucure\u015fti<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

The Crossroads of the Poppies \/ R\u0103scrucea Macilor<\/em><\/strong> (1980) \u2013 10\u2019<\/p>\n

for piano<\/p>\n

Published by: Editura Muzical\u0103, Bucure\u015fti<\/p>\n

 <\/p>\n

\n

 <\/p>\n

CelloSonata<\/em><\/strong> (1978) \u2013 7\u2019<\/p>\n

for cello<\/p>\n

Published by: Editura Muzical\u0103, Bucure\u015fti[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”50px”][vc_column_text]<\/p>\n

Chamber music<\/h2>\n

[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Obsessivo II<\/em><\/strong> (2018) \u2013 9\u2019<\/p>\n

for flute, recorder, harp and harpsichord<\/p>\n

Written for: Airborne Extended ensemble (Vienna)<\/p>\n

World premiere: Timi\u015foara, 20.10.2018, Intrada International Festival<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Legend III <\/em><\/strong>(2018) \u2013 9\u2019<\/p>\n

for oboe, clarinet, violin, cello, piano<\/p>\n

Written for SonoMania ensemble (Bucharest)<\/p>\n

World premiere: Bucharest, 22.09.2018, 3Sound Festival<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Il Pianto del Ghiaccio <\/em><\/strong>(2016) \u2013 11\u201930\u201d<\/p>\n

for 4 flutes<\/p>\n

Commissioned by: Tetrafl\u00fbtes ensemble (Switzerland)<\/p>\n

World premiere: 17.07.2016, in the Saas Fee ice cave (Switzerland)<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Ogives<\/em><\/strong> (2016) \u2013 9\u201930\u201d<\/p>\n

for 10 flutes<\/p>\n

Written for: Flute Ensemble Zagreb<\/p>\n

World premiere: 19.06.2016, Zagreb, Oris Art Museum<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Fragile <\/em><\/strong>(2014) \u2013 9\u2019<\/p>\n

for clarinet, string trio and piano<\/p>\n

Published by: Editura Muzical\u0103, Bucharest<\/p>\n

World premiere: 17.05 2014, Potsdam, Intersonanzen Festival \u2013 Profil ensemble (Bucharest)<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Epistrophe II <\/em><\/strong>(2013) \u2013 9′<\/p>\n

for 3 flutes<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Bocet IV <\/em><\/strong>(2015) \u2013 5\u201930\u201d<\/p>\n

for soprano, clarinet, violin, cello and piano<\/p>\n

Written for: SonoMania Ensemble<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Bocet <\/em><\/strong>(2013) \u2013 5\u201930\u201d<\/p>\n

for soprano and alto flute<\/p>\n

Written for: Irina Ungureanu and Riccarda Caflisch<\/p>\n

World premiere: Bucharest, InnerSound International New Arts Festival, 19.09.2014, Arcub Hall<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Pan <\/em><\/strong>(2013) \u2013 9\u2019<\/p>\n

for soprano (dbl. percussion) and 3 flutes<\/p>\n

Commissioned: by Ranelagh Theatre, Paris, for the Claude Debussy anniversary<\/p>\n

World premiere: Paris Ranelagh Theatre, 1.12.2013<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Metabole III<\/em><\/strong> (2012) \u2013 8\u201930\u201d<\/p>\n

for 5 clarinets<\/p>\n

Published by: BabelScores<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Centrifuga<\/em><\/strong> (2011) \u2013 9\u2019<\/p>\n

for flute, clarinet, percussion (1 player), piano, violin, viola, cello<\/p>\n

Written for: MD7 Ensemble, Ljubljana<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Elegy \/ Elegie<\/em><\/strong> (2011) \u2013 5\u201930\u201d<\/p>\n

for flute and piano<\/p>\n

Published by: Editura UNMB<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Salcia<\/em><\/strong> (2011) \u2013 12\u201930\u201d<\/p>\n

for flute and 4 percussion players<\/p>\n

In the memory of the victims of the Japan tsunami from March 2011<\/p>\n

Written for: Mario Caroli (flute)<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Vivarta<\/em><\/strong> (2009\/2017) \u2013 11\u2019<\/p>\n

for string quartet<\/p>\n

Published by: Editura UNMB<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Obsessivo<\/em><\/strong> (2008) \u2013 8\u201930\u201d<\/p>\n

for soprano saxophone (doubl. tenor saxophone), viola and pre-recorded sounds<\/p>\n

Written for: Trio Promozica (Daniel Kientzy \u2013 sax, Cornelia Petroiu \u2013 vla, Reina Portuondo \u2013 electronics)<\/p>\n

World premiere: Oldenburg, 12.10.2008<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Ielele<\/em><\/strong> (2007) \u2013 10\u2019<\/p>\n

for flute, oboe, clarinet, piano, percussion (1 player) and string quintet<\/p>\n

Written for: Profil Ensemble (Bucharest)<\/p>\n

World premiere: Basel, November 2007, Profil Ensemble, conductor Tiberiu Soare<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Prana-Apana <\/em><\/strong>(2006) \u2013 11\u2019<\/p>\n

for flute, cello and percussion<\/p>\n

Written for: Kolbeinn Bjarnasson (flute) and Caput Ensemble (Iceland)<\/p>\n

World premiere: Sk\u00e1lholt Festival (Iceland), 14.07.2006, Caput Ensemble<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Tristia<\/em><\/strong> (2005\/2011) \u2013 9\u2019<\/p>\n

for 4 bass flutes (doubling 2 picc. and 2 flutes in C)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Matanga<\/em><\/strong> (2005) \u2013 6\u201930\u201d<\/p>\n

for double bass saxophone and 6 percussion players<\/p>\n

Written for: Daniel Kientzy and GAME ensemble<\/p>\n

World premiere: Bucharest, 19.12.2008, Meridian International Festival<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Entrelacs<\/em><\/strong> (2004) \u2013 9\u2019<\/p>\n

for 5 traditional Japanese instruments (sho, shakuhachi, koto, shamizen, percussion)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Crystals II <\/em><\/strong>(2003) \u2013 13\u201930\u201d<\/p>\n

for flute, piano, and percussion<\/p>\n

Written for: Trio Contraste (Timi\u015foara)<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Umbre III<\/em><\/strong> (2003) \u2013 11\u201930\u201d<\/p>\n

for cello and pre-recorded sounds<\/p>\n

Written for: Marin Cazacu<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Crystals<\/em><\/strong> (2002) \u2013 12\u2019<\/p>\n

for flute and piano<\/p>\n

Written for Ion Bogdan \u0218tef\u0103nescu (flute)<\/p>\n

Published by: Editura Muzical\u0103, Bucharest<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Dincolo<\/em><\/strong>\u2026 (2002) <\/strong>\u2013 13\u2019<\/p>\n

for oboe and percussion<\/p>\n

Written for: Dorin Gliga and Alexandru Matei<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Umbre II<\/em><\/strong> (2002) \u2013 13\u2019<\/p>\n

for violin, cello, and piano<\/p>\n

Written for: Pro Contemporania Ensemble (Bucharest)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

L<\/em><\/strong>‘\u00c9ternel Retour<\/em><\/strong> (2000) \u2013 13\u2019<\/p>\n

for 8 cellos<\/p>\n

Written for Violoncellissimo Ensemble (Bucharest)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Trias<\/em><\/strong> (1999) \u2013 12\u2019<\/p>\n

for mezzo-soprano, flute, and piano<\/p>\n

 <\/p>\n

\n

 <\/p>\n

M\u00e9tabole I<\/em><\/strong> (1999) \u2013 10\u2019<\/p>\n

for 7 clarinets (1 picc, 3 cl in B, 2 alto, 1 bass)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Uroboros <\/em><\/strong>(1998\/2013) \u2013 8\u2019<\/p>\n

for 2 flutes<\/p>\n

Written for: Ion Bogdan \u0218tef\u0103nescu<\/p>\n

Published by: BabelScores<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Alean<\/em><\/strong> (1997) \u2013 11\u2019<\/p>\n

for 4 saxophones<\/p>\n

Written for and commissioned by: Stockholm Saxophone Quartet<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Noesis <\/em><\/strong>(1995) \u2013 12\u2019<\/p>\n

for 4 percussion players<\/p>\n

Written for: GAME Ensemble<\/p>\n

Published by: Editura Muzical\u0103, Bucharest<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Spiralis III<\/em><\/strong> (1992) \u2013 9\u2019<\/p>\n

for alto flute and guitar<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Over time <\/em><\/strong>(1992) \u2013 8\u2019<\/p>\n

for shakuhachi (in D) and bass flute<\/p>\n

Written for: Jos Zwaanenburg (flute) and Iwamoto Yoshikazu (shakuhachi)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Masks <\/em><\/strong>(1989) \u2013 17\u2019<\/p>\n

for clarinet and cello<\/p>\n

Written for: Anca Vartolomei (cello)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Clocks <\/em><\/strong>(1987) \u2013 15\u2019<\/p>\n

for clarinet, piano, percussion<\/p>\n

Written for: Trio Contraste (Timi\u015foara)<\/p>\n

Version 1: oboe, clarinet, bassoon, violin, cello, piano, percussion (1987)<\/p>\n

Version 2: flute, clarinet, violin, viola, cello, piano, percussion (2007)<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Quatrotempi<\/em><\/strong> (1985) \u2013 14\u2019<\/p>\n

for cello and percussion<\/p>\n

Written for: Anca Vartolomei and Alexandru Matei<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Aux portes du r\u00eave <\/em><\/strong>(1985) \u2013 12\u201930\u201d<\/p>\n

for flute and percussion<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Jeu de miroirs <\/em><\/strong>(1984) \u2013 13\u2019<\/p>\n

for 4 flutes, 1984<\/p>\n

Published by: \u00c9ditions Leduc, Paris<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Balance of Light \/ Cump\u0103na Luminii <\/em><\/strong>(1982) \u2013 13\u2019<\/p>\n

for clarinet, violin, viola, cello, piano<\/p>\n

Written for: Musica Nova Ensemble (Bucharest)<\/p>\n

Published by: Editura Muzical\u0103 Bucharest[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”50px”][vc_column_text]<\/p>\n

Orchestra<\/h2>\n

[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Nymph\u00e9a <\/em><\/strong>(2019) \u2013 14\u2019<\/p>\n

for orchestra<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp \/ 2 perc \/ pno \/ strings 8, 6, 4, 4, 2<\/p>\n

World premiere: Bucharest, Radio Chamber Orchestra, conductor Marijn Simons, the International Week of New Music, 22.05.2019<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Fragile II<\/em><\/strong> (2015) \u2013 11\u2019<\/p>\n

for clarinet and orchestra<\/p>\n

Written for: Emil Vi\u015fenescu (clarinet)<\/p>\n

Instrumentation: \u00a02 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 2 perc \/ pno \/ strings 6, 5, 4, 3, 2<\/p>\n

World premiere: Dresden, 22.10 2015, Dresden Sinfonietta, soloist Emil Vi\u015fenescu, conductor Judith Kubitz<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Clocks III<\/em><\/strong> (2010) \u2013 14\u2019<\/p>\n

for orchestra<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 4 perc \/ pno \/ strings 12, 10, 8, 8, 4<\/p>\n

World premiere: Bucharest, 8.10.2010, National Radio Orchestra, conductor Horia Andreescu<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

L\u2019Ange avec une seule aile <\/em><\/strong>(2010) \u2013 18\u2019<\/p>\n

Concerto no. 5 for flute (in C, picc and alto) and orchestra<\/p>\n

Written for: Mario Caroli (flute)<\/p>\n

Commissioned by: Warsaw Autumn International Festival 2010<\/p>\n

Instrumentation: Version 1 \u2013 2 fl 1 ob 1cl 1 bsn \/ 1 hr 1 trp 1 trb \/ 2 perc \/ pno \/ celesta \/ strings 3, 3, 3, 3, 1; Version 2 \u2013 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 2 perc \/ pno \/ celesta \/ strings 6, 6, 6, 4, 2<\/p>\n

World premiere: Warsaw, 19.09.2010, AUKSO-Chamber orchestra, soloist Mario Caroli, conductor Marek Mos<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Masques et miroirs<\/em><\/strong> (2006) \u2013 14\u201930\u201d<\/p>\n

Concerto nr. 2 for saxophone (sopranino, alto and baritone) and orchestra<\/p>\n

Written for: Daniel Kientzy (saxophone)<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 3 perc \/ pno \/ strings 6, 6, 6, 4, 2<\/p>\n

World premiere: Bucharest, 27.05.2010, the International Week of New Music, Radio National Orchestra, soloist Daniel Kientzy, conductor Tiberiu Soare<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

\n

 <\/p>\n

Umbre IV \/ Shadows IV <\/em><\/strong>(2004) \u2013 18\u2019<\/p>\n

Concerto nr. 2 for cello and orchestra<\/p>\n

Written for: Marin Cazacu (cello)<\/p>\n

Instrumentation: 3 fl 3 ob 3 cl 3 bsn \/ 4 hr 4 trp 4 trb \/ 3 perc \/ pno \/ strings 12, 10, 8, 6, 4<\/p>\n

World premiere: Bucharest, May 2004, the International Week of New Music, National Radio Orchestra, soloist Marin Cazacu , conductor Neil Thompson<\/p>\n

 <\/p>\n

\n

 <\/p>\n

5 Vitralii <\/em><\/strong>\/ 5 Stained Glass Windows <\/em><\/strong>(2003) \u2013 17\u2019<\/p>\n

for flute orchestra and pre-recorded sounds<\/p>\n

Written for: The French Flute Orchestra (OFF)<\/p>\n

Instrumentation: 10 fl in C \/ 6 alto fl \/ 6 bass fl \/ 2 dble bass fl<\/p>\n

World premiere: Paris, Moliere Theatre, 20.01.2004, OFF, conductor Pierre Alain Biget<\/p>\n

 <\/p>\n

\n

 <\/p>\n

\u201cSpirit of Elements\u201d \u2013 3rd<\/sup> Symphony <\/em><\/strong>(2001) \u2013 25\u2019<\/p>\n

for large orchestra<\/p>\n

Commissioned by: Suntory Hall Foundation, Tokyo<\/p>\n

Instrumentation: 4 fl 4 ob 4 cl 4 bsn \/ 4 hr 4 trp 3 trb 1 tu \/ 4 perc \/ strings 16, 14, 12, 10, 8<\/p>\n

World premiere: Tokyo, Tokyo Suntory Hall, 9.09.2001, Tokyo Philharmonic orchestra, conductor Norichika Iimori<\/p>\n

 <\/p>\n

\n

 <\/p>\n

M\u00e9tabole II<\/em><\/strong> (2001) \u2013 13\u2019<\/p>\n

for clarinet (in B, E-flat and bass) and orchestra<\/p>\n

Written for: XX Century Ensemble, Vienna<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 1 trp 1 trb \/ 2 perc \/ pno \/ strings 4, 4, 2, 2, 1<\/p>\n

World premiere: Bucharest, 21.09.2010. the International \u201cGeorge Enescu\u201d Festival, XX Century Ensemble, conductor Peter Burwik<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Wings of Light <\/em><\/strong>(2000) \u2013 15\u2019<\/p>\n

for flute orchestra<\/p>\n

Written for: the French Flute Orchestra (OFF)<\/p>\n

Commissioned by: the French Ministry of Culture<\/p>\n

Instrumentation: 24 flutes and small percussions<\/p>\n

World premiere: Luxemburg, World Music Days Festival, 2000, OFF, conductor Pierre Alain Biget<\/p>\n

 <\/p>\n

\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

Percussion Concerto <\/em><\/strong>(2001) \u2013 16\u2019<\/p>\n

Soloist: Vibraphone, Marimba, 5 Temple-blocks, 2 Bongos, 3 Tom-toms, timbal in F, Glockenspiel, 3 Cow-bells, Flexatone<\/p>\n

Written for: Doru Roman<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 2 perc \/ pno \/ strings 8, 6, 4, 4, 2<\/p>\n

World premiere: Taiwan, January 2001, soloist Doru Roman, conductor Remus Georgescu<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Umbre I<\/em><\/strong> \/ Shadows I <\/em><\/strong>(1999) \u2013 13\u2019<\/p>\n

for viola and chamber orchestra<\/p>\n

Written for: Marius Ungureanu<\/p>\n

Instrumentation: 2 percussion players, strings 4, 4, 3, 2, 1<\/p>\n

World premiere: Bucharest, May 1999, Camerata Orchestra, soloist Marius Ungureanu, conductor Dorel Pa\u015fcu<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Florilegium <\/em><\/strong>(1996) \u2013 16\u2019<\/p>\n

Concerto nr. 4 for flute (in c, alto) and flute orchestra<\/p>\n

Written for Pierre-Yves Artaud and the French Flute Orchestra (OFF)<\/p>\n

Instrumentation: 4 picc, 8 fl in C, 6 alto fl, 6 bass fl<\/p>\n

World premiere: The Hague, Albert Hall, 21.11.1996, O.F.F. and Netherlands Flutes orchestra, soloist P-Y Artaud, conductor Jorge Caryevschi<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Clocks II<\/em><\/strong> (1994) \u2013 15\u2019<\/p>\n

for sinfonietta \/ chamber orchestra<\/p>\n

Instrumentation: 1 fl 1 ob 1 cl 1 bsn \/ 1 hr 1 trp 1 trb \/ 2 perc \/ pno \/ strings 2 vn, 1 vla, 1 cello, 1 dbl-bass<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Cercles magiques <\/em><\/strong>(1993) \u2013 21\u2019<\/p>\n

Concerto nr. 3 for flute (in C, picc, alto, bass) and orchestra<\/p>\n

Written for: Pierre-Yves Artaud<\/p>\n

Commissioned by: Radio France<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 3 perc \/ strings 10, 8, 6, 4, 2<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Seven Levels to the Sky <\/em><\/strong>(1993) \u2013 18\u201930\u201d<\/p>\n

Concerto nr.1 for saxophone (soprano, alto, baritone) and orchestra<\/p>\n

Written for: Daniel Kientzy<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trb \/ 3 perc \/ strings 12, 10, 8, 8, 4<\/p>\n

 <\/p>\n

\n

\u00a0<\/em><\/strong><\/p>\n

Lights from a Rainbow<\/em><\/strong> (1993) \u2013 13\u2019<\/p>\n

for chamber orchestra<\/p>\n

Instrumentation: fl, alto fl, cl, bass cl \/ 2 perc \/ strings 2, 2, 2, 2, 1<\/p>\n

Written for: XX Century Ensemble (Vienna)<\/p>\n

Commissioned by: Radio Graz for the festival Musikprotokoll Gratz<\/p>\n

World premiere: Graz, 10.10.1993, XX Century Ensemble, conductor Peter Burwik<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Spiralis II <\/em><\/strong>(1991) \u2013 20\u2019<\/p>\n

Concerto nr. 2 for flute (in C, alto, bass) and orchestra<\/p>\n

Written for: Pierre-Yves Artaud<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp \/ 3 perc \/ celesta \/ strings 12, 8, 8, 4, 2<\/p>\n

World premiere: Bucharest, 25.02.1992, National Radio Orchestra, soloist P-Y Artaud, conductor Ludovic Bacs<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Symphony II<\/em><\/strong> (1988) \u2013 21\u2019<\/p>\n

for large orchestra<\/p>\n

Instrumentation: 2fl, 1picc, 2 ob, 1 c.i.,2 cl, 1 bass cl, 2 bsn \/ 3 3 3 \/ pno \/ strings 14, 12, 10, 8, 8<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Cello Concerto <\/em><\/strong>(1987) \u2013 18\u2019<\/p>\n

Written for: Anca Vartolomei (cello)<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp \/ 3 perc \/ celesta \/ strings 12, 10, 8, 8, 4<\/p>\n

Published by: Editura Muzical\u0103, Bucharest<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Concerto nr.1<\/em><\/strong> (1986) \u2013 16\u2019<\/p>\n

for flute (in C, picc, alto) and ensemble<\/p>\n

Instrumentation: 2 percussion players and 13 strings (6 vn, 4 vla, 2 cellos, 1 dbl-bass)<\/p>\n

Published by: Editura Muzical\u0103, Bucharest<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Symphony I <\/em><\/strong>(1985) \u2013 17\u2019<\/p>\n

for large orchestra<\/p>\n

Instrumentation: 2 fl 2 ob 2 cl 2 bsn \/ 2 hr 2 trp 2 trb \/ 3 perc \/ pno \/ strings 12, 10, 8, 8, 4[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”50px”][vc_column_text] Solo works [\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Jyotis (2017) \u2013 12\u2019 for flute Commissioned by: Radio France, for the Alla Breve Broadcast Written for: Mario…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-148","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/pages\/148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/comments?post=148"}],"version-history":[{"count":0,"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/pages\/148\/revisions"}],"wp:attachment":[{"href":"https:\/\/doinarotaru.ro\/index.php\/wp-json\/wp\/v2\/media?parent=148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}